“Disintegration” by The Cure (No. 4)

"Disintegration" album cover

"Disintegration" album coverDisintegration is the album that really sold me on The Cure. Yes, I know, I was a bit late to the party.

Some of the singles off Kiss Me, Kiss Me, Kiss Me were too good to ignore, but I wasn’t a big fan of Robert Smith’s voice initially. And then Disintegration came out, with “Fascination Street” released as the first U.S. single. I was hooked, no two ways about it.

Where Kiss Me, Kiss Me, Kiss Me was warm and open, Disintegration is the album that launched a thousand Shoegazer bands. “Plainsong” opens the album with a slow, majestic swell of synthesizers and drums. It’s almost funereal, but also entrancing. Two and half minutes into “Plainsong” pass before Smith’s vocals begin, and he’s talking softly and calmly.

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“Queen Elvis” by Robyn Hitchcock ‘n’ The Egyptians (No. 21)

Album cover: "Queen Elvis" by Robyn Hitchcock & The Egyptians

Album cover: "Queen Elvis" by Robyn Hitchcock & The EgyptiansWatching “alternative” bands like The Cure, R.E.M., and U2 punch through to mainstream success, I had high hopes that Robyn Hitchcock would break through with Queen Elvis.

Released in March 1989, Hitchcock was opening for R.E.M. on the Green tour. Queen Elvis, by Robyn Hitchcock ‘n the Egyptians, was on a major label and they were putting money into videos for MTV. It seemed to me that the rest of the world would surely notice what they’d been missing so far.

By rights, Queen Elvis should have garnered more attention than it did. Musically, it’s phenomenal, and it’s one of Hitchcock’s most accessible (read: there are no songs about “furry green atom bowls,” or men with lightbulb heads) albums.

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