5 essential rainy day albums: The Jayhawks, Sarah McLachlan, Khruangbin, Johnny Cash and The Cure

It’s Saturday and the sky has finally opened up over Durham. After a really good deluge this morning, it’s dreary, drizzly and a perfect day to stay in and listen to records. To make the most of it, you have to choose the right music for the mood. Lucky for you, I’ve got five suggestions that go perfectly with watching it rain while nursing a cup of coffee on Saturday morning.

Hollywood Town Hall by The Jayhawks

One of my top 100, Hollywood Town Hall is a perfect album for a rainy day with its downbeat masterpieces and lush melodies. “Crowded in the Wings” is always a welcome tune, but it hits different when the weather is overcast and glum. The guitar that closes out the song has a country blues feel that just doesn’t match a well-lit sunny day.

And the album is full of rainy day imagery. “Waiting For The Sun,” “Clouds,” and “Settled Down Like Rain,” are all perfect for cloudy skies and staying inside.

Fumbling Towards Ecstasy by Sarah McLachlan

One word to describe Fumbling Towards Ecstasy? Mesmerizing. McLachlan’s voice has a siren-like call that cannot be denied. The songs on Fumbling have an ethereal quality that allows McLachlan to wrap you in her voice and offer you shelter. They’re the kind of songs you have to close your eyes and just feel the waves crash over while feeling every note.

Slow, sensual and sleepy, Fumbling Towards Ecstasy is like the welcome memories of quiet times spent with good friends. It’s equal parts longing and fulfillment, and demands the listener slow down and be present in this moment. As she sings in “Elsewhere,” the album befits a quiet day, “the time and in-between, the calm inside me, in the space where I can breathe…this is heaven to no one else but me, and I’ll defend it as long as I can.”

If you’re the type to cherish a rainy day, Fumbling Towards Ecstasy is there to help you defend it as long as you can.

The Universe Smiles Upon You by Khruangbin

Khruangbin‘s 2015 full-length debut, The Universe Smiles Upon You, is captivating. The album is a mostly instrumental fusion of global music from Thai funk to psychedelia, dub, soul, rock, and much more. “The Man Who Took My Sunglasses,” gifts us some languid surf-toned guitar over a slow-cooking soul base (and bass).

“White Gloves” and “People Everywhere (Still Alive)” break out some background vocals that are just enough to hum along to without overpowering the peaceful, easy feeling that serves as a foundation for the entire album. A little wah-wah guitar supports “August Twelve” and turns up the heat, but never quite gets so heated that it ruins the overall vibe of the LP.

American VI: Ain’t No Grave by Johnny Cash

Released in 2010, but recorded in 2003 shortly before Cash’s death as part of the American sessions with Rick Rubin, Ain’t No Grave is a bittersweet and beautiful selection of Cash recordings. It almost feels sacrilegious to put any of Cash’s American series on the stereo without giving them full attention. This isn’t background music, this is The Man in Black handing down the wisdom of the ages and you best pay attention.

Even as Cash was counting his days, his grappling with mortality feels redemptive and not at all maudlin. Even though I don’t share Cash’s faith, it comes through clearly and sweetly in these songs.

Mostly composed of covers (excepting Cash’s “I Corinthians 15:55”), American VI is a sparse affair. Mostly Cash’s voice, guitar and some piano and other touches, it’s a perfect accompaniment to staying indoors and pondering life.

Disintegration by The Cure

Another entry in my top 100 albums, Disintegration is the ultimate rainy day album. Glacial, majestic and masterful, Disintegration is a minor-key masterpiece that feels like storm clouds gathering.

“The Same Deep Water as You,” might even be a little too on the nose, starting with muted thunder and the sound of rain. But, for my money, it’s just what you need to fully embrace the weather. And who listens to The Cure when it’s sunny out, anyway?

On the off chance you’ve stumbled on this post and haven’t listened to Disintegration in its entirety, you need to stop and go do so immediately. Or at least the next time you’re gifted with a thunderstorm and some time to truly enjoy music.

What’s your rainy day music?

I’m always eager to hear what other people enjoy listening to. If you have rainy day albums you can’t live without, or just rainy day songs, drop me a comment and share.

Jukebox selections: MASTER BOOT RECORD, The Jayhawks, Paul McCartney meets Khruangbin

Album cover: "Tomorrow the green grass" by the Jayhawks

Been a bit between posts, so here’s another run at the jukebox for all my readers looking for a few good tunes to pass the time. Some oldies, some goodies, nothing boring and all good for your soul.

Zenith (Riktam Remix) by MVMB & ALL’IN – IbogaTech

This is a melodic psytrance piece that runs seven minutes and never lets up. If I were the Peloton type, I’d definitely queue this one up for a indoor cycling session. But, alas, I am not. So I merely listen to this while typing. Give it a listen on Bandcamp, I think you’ll be hooked.

[bandcamp width=100% height=120 album=1093589695 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

Tomorrow the Green Grass by The Jayhawks

Album cover: "Tomorrow the green grass" by the JayhawksThis isn’t a new release nor is it new to me, but I put this on for the millionth time last night and it’s still just as fresh and enjoyable as the first time I listened to it. This album was a recommendation from a friend in college, who dubbed it to cassette for me. I can still remember popping it into my car stereo driving between Columbia, MO and Kirksville, MO – not knowing what to expect, I wasn’t quite braced for it.

Depending on who you ask this fits into the “country rock,” “alternative country” or “alternative rock” genre. There’s definitely a bit of twang and country influence here, and I’d be shocked if Mark Olson and Gary Louris didn’t have some Lynyrd Skynyrd albums in their collection. But the album really transcends genre, it’s just damn good music.

[youtube https://youtube.com/playlist?list=OLAK5uy_kGKXzr_-UvUI-9otP8G8i50Kqm3cbvJNM]

INTERNET PROTOCOL by MASTER BOOT RECORD

Loved the concept, an album with songs inspired by various protocols (FTP, IRC, HTTP, POP3 and Gopher!), but wasn’t sure the execution would live up to it. Turns out, it does. This is great video-gamish music that is fantastic to work to or just enjoy. This is nerd rock at its finest. Ironically it is available as download, vinyl or cassette – but not CD. Sigh. (Can’t argue with the digital download price, though. One Euro is completely reasonable.)

[bandcamp width=100% height=120 album=238542805 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

Paul McCartney meets Khruangbin

Paul McCartney’s McCartney III was some of the best work that the former Beatle has turned in for quite a while. Clearly he made good use of the quarantine time to put together a fine album, but then did us one better and reached out to a number of contemporary artists to remix/re-imagine songs on the album as McCartney III Imagined.

I absolutely love what Khruangbin (another favorite of mine) have done with “Pretty Boys,” and highly recommend giving it a listen.

[youtube https://youtu.be/K-sjSobYNag]

It’d be amazing to put McCartney and Khruangbin in a studio and go for a full album.

What are you listening to?

That’s it for me on this installment. What are you listening to these days?

“Smile” by The Jayhawks (No. 35)

Smile by The Jayhawks album cover

Smile by The Jayhawks album coverSmile is The Jayhawks sixth studio album, its second release without Mark Olson. As much as I enjoyed Olson and Gary Louris’ work on alt-country classic Hollywood Town Hall the new direction suits them even better.

I suppose I’ll never be a “serious” rock critic. Doing a little research on Smile I find a lot of the reviews when the album came out were… tepid, at best. So-called Dean of American Rock Critics Robert Christgau gives little love to The Jayhawks and gives Smile a paltry C. To paraphrase a rather famous saying, I may not know much about music, but I do know what I like. And I do like, nay, love Smile. Unabashedly, emphatically, and joyously.

For the record, I’m referring to the original release of Smile and not the 2014 expanded reissue. Extra material is nice, but non-essential in my opinion. None of the new material on the reissue feels like it adds to the album, and it’s probably just as well without it. That may just be my “get off my lawn” reaction, though, to new songs that I’m unfamiliar with.

Continue reading ““Smile” by The Jayhawks (No. 35)”

“Hollywood Town Hall” by The Jayhawks (No. 86)

Hollywood Town Hall album cover

The Jayhawks are usually categorized as “alternative country” or “country rock,” but neither label suffices to describe the band at its full power. Hollywood Town Hall, released in while founding member Mark Olson was still with the band, is definitely a snapshot of The Jayhawks operating on all cylinders.

Like R.E.M., The Jayhawks span multiple genres and audiences. Any cut from Hollywood Town Hall would be equally at home alongside 90s alternative rock, on a classic rock station, and would probably pass just fine on modern country stations as well. (I’m probably a bad judge of what fits on modern country, though.)

Continue reading ““Hollywood Town Hall” by The Jayhawks (No. 86)”