If there was any doubt whether Tori Amos could live up to her debut, Little Earthquakes, it was shattered by Under The Pink. From the opening track, “Pretty Good Year” to the epic closer “Yes, Anastasia,” Amos knocks it out of the park.
Under the Pink is not a radical departure from Little Earthquakes, but it’s not just treading the same ground again either. If you loved the first album, you’ll almost certainly love this one – without feeling like “oh, it’s the same album all over again with a few tweaks.” It’s also, thankfully, not one of those albums where the artist was afraid of being in a rut and went and changed everything up to sound different. Amos may bust out a full album of death metal or bluegrass standards (or some combination of the two) one of these days, but this is not that.
