Music – Page 7 – Zonker.net

October 26, 2017

Today’s album pick: Dynamics by Secret Drum Band

This is another Bandcamp win, Secret Drum Band‘s Dynamics. Based in Portland, Oregon the band describes the album thusly: “Dynamics sees composers Lisa Schonberg, Allan Wilson, and Heather Treadway delving headway into creating living, breathing soundscapes, rich in rhythmic textures. Driven by five drummers, each song also employs an array of affected vocals, guitar, and synthesizers from noise musicians, often mimicking sounds found in nature.”

I’m on my third or fourth listen to the album, and I’m still finding new things to enjoy. If a hard, driving beat and textured sounds appeal to you, you really should give it a listen or two.

[bandcamp width=100% height=120 album=2378566956 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

October 24, 2017

Check it out: “Death to the Planet” by The Comet is Coming

"Death to the Planet" by The Comet is Coming (Album Cover)

Don’t recall how I stumbled on this one, exactly, but one of my Saturday morning music searches led me to a post on Bandcamp’s blog about The Comet is Coming.

If you like instrumental music in the vein of Material, or early trippy Pink Floyd, I’d recommend checking this one out.

[bandcamp width=100% height=120 album=3084023840 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

October 10, 2016

“Skylarking” by XTC (No. 1)

I’m not saying that Skylarking is the best album in the history of the universe, but I’m not not saying it either. Certainly it’s the finest album XTC have produced.

I know precisely when my love affair with XTC began, it was May 3rd, 1987 when MTV played the world premiere of “Dear God” on 120 Minutes. While not on the original pressings of Skylarking, Geffen slapped it on the US version and omitted “Mermaid Smiled” to make room.

Once I finally got my hands on a copy of the cassette, I played it as much as possible – it’s a miracle that the cassette lasted until I made the switch to CDs and was able to retire the poor thing.

Continue reading ““Skylarking” by XTC (No. 1)”

October 9, 2016

“Abbey Road” by The Beatles (No. 2)

Abbey Road is more or less The Beatles‘ final album¹, and it contains some of the group’s strongest work – especially George Harrison, who finally gets his day in the sun.

I’m not sure when I got my first copy of Abbey Road. Might have been high school, or it might have been the first release of The Beatles’ catalog on CD. This was back in the dark, pre-Internet, ages when knowing exactly what the “official” Beatles releases were was non-trivial.

The vast majority of Abbey Road was in heavy rotation on the local classic rock stations all through my formative years, of course, but it’s best appreciated in its entirety.

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October 8, 2016

“Help!” by The Beatles (No. 3)

"Help!" album cover (Parlophone version)

Here’s where it all began, my lifelong obsession with music. Technically, it was the movie Help! that helped turn me into a music junkie, but we’ll go with the album here.

Here’s how it all started. When I was seven, I came home from Sunday school (yes, really) and turned on the TV. There was usually a movie playing on the local non-network affliate channel around Noon on Sundays, and on one day I cranked the TV just in time to catch Help!.

If you’ve seen the movie, you know it starts with an attempted human sacrifice that fails because the victim isn’t wearing the sacrificial ring. Where’s the ring? Cut to a shot of Ringo Starr’s hand while he’s playing the drums as The Beatles play “Help!”

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October 7, 2016

“Disintegration” by The Cure (No. 4)

Disintegration is the album that really sold me on The Cure. Yes, I know, I was a bit late to the party.

Some of the singles off Kiss Me, Kiss Me, Kiss Me were too good to ignore, but I wasn’t a big fan of Robert Smith’s voice initially. And then Disintegration came out, with “Fascination Street” released as the first U.S. single. I was hooked, no two ways about it.

Where Kiss Me, Kiss Me, Kiss Me was warm and open, Disintegration is the album that launched a thousand Shoegazer bands. “Plainsong” opens the album with a slow, majestic swell of synthesizers and drums. It’s almost funereal, but also entrancing. Two and half minutes into “Plainsong” pass before Smith’s vocals begin, and he’s talking softly and calmly.

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October 6, 2016

“A Night at the Opera” by Queen (No. 5)

A Night at the Opera has some of Queen‘s best-known songs, including “Bohemian Rhapsody.” But what if I told you that “Bohemian Rhapsody” isn’t even the best song on A Night at the Opera, or at least not the most epic?

A Night at the Opera has Queen trying on a number of musical styles, sometimes several in the same song. The 1975 release has a proto-power ballad, ragtime, quasi-operatic epics, Dixieland, and (of course) straight-up rock ‘n roll.

It’s worth noting that everybody gets some time in the spotlight here, with songs by Freddie Mercury, Brian May, Roger Taylor, and John Deacon.

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October 5, 2016

“Lost in Space” by Aimee Mann (No. 6)

Fun fact, Aimee Mann is the only musical guest on Buffy to get a speaking part. That has not a lot to do with Lost in Space, except that two songs from the album are played during an episode. There’s a little more to this album than an intersection with nerdom, though.

Lost in Space is, at least in my estimation, Mann’s finest album to date. It’s not as energetic as Bachelor No. 2 or Whatever, but it more than makes up for that in the melody department.

Lost in Space has a rich, full sound to it. Little wonder, as there’s quite the cast of characters. Several songs feature a full compliment of strings, and more.

Continue reading ““Lost in Space” by Aimee Mann (No. 6)”

October 4, 2016

“Element of Light” by Robyn Hitchcock and the Egyptians (No. 7)

If Robyn Hitchcock hadn’t gone into music, perhaps he’d have become a novelist like his father. His penchant for storytelling shows through heavily in Element of Light.

Hitchcock has a pretty solid catalog of music as a solo artist, with his backing bands The Egyptians and The Venus 3, and (of course) with The Soft Boys. It took a lot of mulling before I decided on the ones that would make the top 100, and two things put Element of Light at the top of the stack – the music (obviously) and the stories.

Musically, Element of Light features some of my favorite Hitchcock compositions (and that’s saying quite a lot). But Element clearly features some of the most developed stories in his songs. Continue reading ““Element of Light” by Robyn Hitchcock and the Egyptians (No. 7)”

October 3, 2016

“Rubber Soul” by The Beatles (No. 8)

Famed Rock critic Robert Christgau called Rubber Soul “when The Beatles began to go arty.” Reductive, perhaps, but also true.

Rubber Soul is not as adventurous as Sgt. Pepper or The Beatles, but it brings in elements that the band couldn’t reproduce on stage. And it also deals with some more mature themes than previous Beatles albums, albeit obliquely.

The album doesn’t jump right in to experimental tunes, though. “Drive My Car” is standard issue Beatle-y goodness that would have been right at home on Help! or Hard Day’s Night. It’s catchy, fun, and straight to the point. Continue reading ““Rubber Soul” by The Beatles (No. 8)”